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Gaziel, d’Apel.les Mestres:: un Mefisto irònic i un Faust bohemi

  • Dades identificatives

    Identificador: imarina:9057458
    Autors:
    Magí Sunyer Molné
    Resum:
    This article explores the intertextual relations between Faust, by JohannWolfgang von Goethe, and two texts by Apel?les Mestres: the poem and the dramaGaziel (from 1891 and 1909, respectively). The influence of German literature onMestres, and particularly of Goethe and Heine, is such that Gaziel can be regarded as adirect reproduction. The fact that Gaziel, Faust’s parallel, is a Poet frames the work aspart of the debate on the Artist, which was a feature of Catalan Modernisme, andrelates to Mestres’ status as a complete man of letters – draftsman, musician, poet,playwright and prose writer – which was made abundantly clear by the magnificentillustrations of the poem’s first edition. The ironic relationship between Mephisto-pholes and Gaziel provides the basis for an analysis of the function of the devil in thetwo works and the game of complicities that Mestres constructs around his character.
  • Altres:

    Autor segons l'article: Magí Sunyer Molné
    Departament: Filologia Catalana
    Autor/s de la URV: Sunyer Molné, Magí
    Paraules clau: Modernism Intertextuality Gaziel Faust Devil Artist
    Resum: This article explores the intertextual relations between Faust, by JohannWolfgang von Goethe, and two texts by Apel?les Mestres: the poem and the dramaGaziel (from 1891 and 1909, respectively). The influence of German literature onMestres, and particularly of Goethe and Heine, is such that Gaziel can be regarded as adirect reproduction. The fact that Gaziel, Faust’s parallel, is a Poet frames the work aspart of the debate on the Artist, which was a feature of Catalan Modernisme, andrelates to Mestres’ status as a complete man of letters – draftsman, musician, poet,playwright and prose writer – which was made abundantly clear by the magnificentillustrations of the poem’s first edition. The ironic relationship between Mephisto-pholes and Gaziel provides the basis for an analysis of the function of the devil in thetwo works and the game of complicities that Mestres constructs around his character.
    Àrees temàtiques: Literature, romance Literature and literary theory Linguistics and language Language and linguistics Language & linguistics Filologia, lingüística i sociolingüística
    Accès a la llicència d'ús: https://creativecommons.org/licenses/by/3.0/es/
    Adreça de correu electrònic de l'autor: magi.sunyer@urv.cat
    Identificador de l'autor: 0000-0003-1966-060X
    Data d'alta del registre: 2023-11-11
    Versió de l'article dipositat: info:eu-repo/semantics/publishedVersion
    Enllaç font original: http://www.romanistik.uni-freiburg.de/pusch/zfk/cat/2019.htm
    Referència a l'article segons font original: Zeitschrift Fur Katalanistik. (32): 271-288
    Referència de l'ítem segons les normes APA: Magí Sunyer Molné (2019). Gaziel, d’Apel.les Mestres:: un Mefisto irònic i un Faust bohemi. Zeitschrift Fur Katalanistik, (32), 271-288. DOI: 10.46586/ZFK.2019.271-288
    URL Document de llicència: https://repositori.urv.cat/ca/proteccio-de-dades/
    DOI de l'article: 10.46586/ZFK.2019.271-288
    Entitat: Universitat Rovira i Virgili
    Any de publicació de la revista: 2019
    Tipus de publicació: Journal Publications
  • Paraules clau:

    Language & Linguistics,Language and Linguistics,Linguistics and Language,Literature and Literary Theory,Literature, Romance
    Modernism
    Intertextuality
    Gaziel
    Faust
    Devil
    Artist
    Literature, romance
    Literature and literary theory
    Linguistics and language
    Language and linguistics
    Language & linguistics
    Filologia, lingüística i sociolingüística
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