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JAMES II AND HIS ARTISTIC PATRONAGE IN SANTES CREUS: PURPOSES, SEMANTIC CONTENT AND THE INFLUENCE OF FREDERICK II

  • Identification data

    Identifier: imarina:9294624
    Authors:
    Coll, Marta serrano
    Abstract:
    This study analyses two of the great artistic projects that James II the Just (1291-1327) promoted at the Cistercian monastery of Santes Creus (Aiguamúrcia, Tarragona, Catalonia, Spain) and which still stand to this day; namely, the dynastic pantheon and the cloister, specifically the unusual south-western pillar adjacent to the Porta Reial (Royal Entrance). The study explains the extent to which both had an aesthetic, persuasive and communicative purpose that was intended to serve the royal rhetoric and how sacredness, lineage and the role of the sovereign as executor of divine providence were key concepts for understanding the totality of these eloquent visual devices. To do this, as I will show, it is essential to examine the influences of Frederick II of Sicily, in particular the legal code known as the Liber Augustalis.1
  • Others:

    Author, as appears in the article.: Coll, Marta serrano
    Department: Història i Història de l'Art
    URV's Author/s: Serrano Coll, Marta
    Keywords: Santes creus Liber augustalis James ii Frederick of sicily Crown of aragon
    Abstract: This study analyses two of the great artistic projects that James II the Just (1291-1327) promoted at the Cistercian monastery of Santes Creus (Aiguamúrcia, Tarragona, Catalonia, Spain) and which still stand to this day; namely, the dynastic pantheon and the cloister, specifically the unusual south-western pillar adjacent to the Porta Reial (Royal Entrance). The study explains the extent to which both had an aesthetic, persuasive and communicative purpose that was intended to serve the royal rhetoric and how sacredness, lineage and the role of the sovereign as executor of divine providence were key concepts for understanding the totality of these eloquent visual devices. To do this, as I will show, it is essential to examine the influences of Frederick II of Sicily, in particular the legal code known as the Liber Augustalis.1
    Thematic Areas: Medieval & renaissance studies Literature History Historia antigua y medieval Historia Ciencias sociales Ciencias humanas Art and art history
    licence for use: https://creativecommons.org/licenses/by/3.0/es/
    Author's mail: marta.serrano@urv.cat
    Author identifier: 0000-0001-9077-1359
    Record's date: 2024-10-12
    Papper version: info:eu-repo/semantics/publishedVersion
    Link to the original source: https://repositori.udl.cat/items/0901c413-24da-4143-86f6-2a637d753e46
    Licence document URL: https://repositori.urv.cat/ca/proteccio-de-dades/
    Papper original source: Imago Temporis - Medium Aevum. 16 (16): 241-265
    APA: Coll, Marta serrano (2022). JAMES II AND HIS ARTISTIC PATRONAGE IN SANTES CREUS: PURPOSES, SEMANTIC CONTENT AND THE INFLUENCE OF FREDERICK II. Imago Temporis - Medium Aevum, 16(16), 241-265. DOI: 10.21001/itma.2022.16.08
    Article's DOI: 10.21001/itma.2022.16.08
    Entity: Universitat Rovira i Virgili
    Journal publication year: 2022
    Publication Type: Journal Publications
  • Keywords:

    History,MEDIEVAL & RENAISSANCE STUDIES
    Santes creus
    Liber augustalis
    James ii
    Frederick of sicily
    Crown of aragon
    Medieval & renaissance studies
    Literature
    History
    Historia antigua y medieval
    Historia
    Ciencias sociales
    Ciencias humanas
    Art and art history
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