Articles producció científica> Estudis Anglesos i Alemanys

Crossing representational borders in Lola Arias' Minefield/Campo Minado

  • Datos identificativos

    Identificador: imarina:9280218
    Handle: https://hdl.handle.net/20.500.11797/imarina9280218
    Autores:
    Pividori, CristinaBellot, Andrea
    Resumen:
    This paper analyses how borders are negotiated in Lola Arias' Minefield/Campo Minado (2016). Arias' representation of the war experiences and traumatic memories of six veterans, three from each side of the Malvinas/Falklands war, suggests an effort to reframe fixed categorizations around the conflict and cross temporal, spatial and aesthetic borders. We will study the articulation of these borders as devices for verbalizing the continuities and discontinuities between "fact" and "fiction" and "self" and "other" in an attempt to assess how the play constructively manages the anxiety arising from the urge to tell and the need to forget experienced by war veterans.

  • Otros:

    Autor según el artículo: Pividori, Cristina; Bellot, Andrea
    Departamento: Estudis Anglesos i Alemanys
    Autor/es de la URV: Bellot, Andrea Roxana
    Palabras clave: British and argentinian war veterans Campo minado Challenging representational borders Documentary theater Fact Fact/fiction Falklands war Fiction Lola arias Malvinas Malvinas/falklands war Minefield Minefield/campo minado Other Reduced inequalities Self Self/other Spectacle War
    Resumen: This paper analyses how borders are negotiated in Lola Arias' Minefield/Campo Minado (2016). Arias' representation of the war experiences and traumatic memories of six veterans, three from each side of the Malvinas/Falklands war, suggests an effort to reframe fixed categorizations around the conflict and cross temporal, spatial and aesthetic borders. We will study the articulation of these borders as devices for verbalizing the continuities and discontinuities between "fact" and "fiction" and "self" and "other" in an attempt to assess how the play constructively manages the anxiety arising from the urge to tell and the need to forget experienced by war veterans.
    Áreas temáticas: Arts Ciencias humanas Ciencias sociales Communication Filologia, lingüística i sociolingüística Humanities, multidisciplinary Información y documentación Literature Literature and literary theory Visual arts and performing arts
    Acceso a la licencia de uso: https://creativecommons.org/licenses/by/3.0/es/
    Direcció de correo del autor: andrearoxana.bellot@urv.cat
    Identificador del autor: 0000-0002-0561-2132
    Fecha de alta del registro: 2024-11-23
    Versión del articulo depositado: info:eu-repo/semantics/acceptedVersion
    Referencia al articulo segun fuente origial: Text And Performance Quarterly. 42 (4): 412-437
    Referencia de l'ítem segons les normes APA: Pividori, Cristina; Bellot, Andrea (2022). Crossing representational borders in Lola Arias' Minefield/Campo Minado. Text And Performance Quarterly, 42(4), 412-437. DOI: 10.1080/10462937.2022.2103178
    URL Documento de licencia: https://repositori.urv.cat/ca/proteccio-de-dades/
    Entidad: Universitat Rovira i Virgili
    Año de publicación de la revista: 2022
    Tipo de publicación: Journal Publications

  • Palabras clave:

    Communication,Humanities, Multidisciplinary,Literature and Literary Theory,Visual Arts and Performing Arts
    British and argentinian war veterans
    Campo minado
    Challenging representational borders
    Documentary theater
    Fact
    Fact/fiction
    Falklands war
    Fiction
    Lola arias
    Malvinas
    Malvinas/falklands war
    Minefield
    Minefield/campo minado
    Other
    Reduced inequalities
    Self
    Self/other
    Spectacle
    War
    Arts
    Ciencias humanas
    Ciencias sociales
    Communication
    Filologia, lingüística i sociolingüística
    Humanities, multidisciplinary
    Información y documentación
    Literature
    Literature and literary theory
    Visual arts and performing arts

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