La fiesta como escena cultural subterránea de las revistas La Regla Rota y la PUSmoderna en la Ciudad de México 1985-1992

Identifier:  TDX:3977

Handle: https://hdl.handle.net/20.500.11797/TDX3977

Authors:  Paredes Pacho, José Luis

Abstract:
This research focuses on the magazines La Regla Rota (1984-1987) and La PUSmoderna (1989-1997), stemming from their and their relationship with the parties these publications organized in a bar and in a cultural center during the years 1985-1992. The two publications were directed by Rogelio Villarreal, most of the time with Ramón Sánchez Lira. Both magazines were part of cultural circuits that were parallel to established art systems. The research covers the period 1985-1992, when the magazines and the parties they organized, configured an articulated space for the irreverent underground scenes of that period. This research elucidates how much the party influenced the viscerality, visuality and language of these magazines. And conversely, how much the contents of the magazines were reflected in their parties. In addition to what the meaning of the party itself could be. Our hypothesis argues that the primary meaning of La Regla Rota and La PUSmoderna's visuality, and caustic language, lay in the marginality of a party inhabited by dissident bodies (rockers, bohemia, LGBT sectors, feminisms, subcultures). A party that enunciated itself from its marginality. A form of festive practice and consumption, where jokes and insolence were a form of social criticism that parted from art and magazine systems