Repositori URV

Identificador: TDX:2130

Handle: https://hdl.handle.net/20.500.11797/TDX2130

Autores:
Arnal Lorenzo, Ariel Edgardo

Resumen:
David William Foster said about The Battle of Chile: 'Battle is the story of the Chilean people and the impact on the national consciousness of the events of the seventies' a history of the government of Salvador Allende. Since the search for the historical memory and historical consciousness in Chile in the peak years of the Cold War, we will see what were the strategies involved every social and economic sector, as well as the theoretical framework that then justified the particular ideological construction of each of them, all as a particular mode of memory built in the period from 1970 to 1973. We will use the methodology of visual story in his film particularly for slope and social analysis using graphic fonts. From there, following the Battle of Chile and the production team, we will discuss various concepts that form the end of the skeleton of the argument of this research, namely consciousness and historical memory in the production of The Battle of Chile. These concepts respond to after all the very stuff of history, namely that it is a source, memory, and the particular object of history in each historical process.