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JAMES II AND HIS ARTISTIC PATRONAGE IN SANTES CREUS: PURPOSES, SEMANTIC CONTENT AND THE INFLUENCE OF FREDERICK II

  • Datos identificativos

    Identificador: imarina:9294624
    Handle: https://hdl.handle.net/20.500.11797/imarina9294624
    Autores:
    Coll, Marta serrano
    Resumen:
    This study analyses two of the great artistic projects that James II the Just (1291-1327) promoted at the Cistercian monastery of Santes Creus (Aiguamúrcia, Tarragona, Catalonia, Spain) and which still stand to this day; namely, the dynastic pantheon and the cloister, specifically the unusual south-western pillar adjacent to the Porta Reial (Royal Entrance). The study explains the extent to which both had an aesthetic, persuasive and communicative purpose that was intended to serve the royal rhetoric and how sacredness, lineage and the role of the sovereign as executor of divine providence were key concepts for understanding the totality of these eloquent visual devices. To do this, as I will show, it is essential to examine the influences of Frederick II of Sicily, in particular the legal code known as the Liber Augustalis.1

  • Otros:

    Autor según el artículo: Coll, Marta serrano
    Departamento: Història i Història de l'Art
    Autor/es de la URV: Serrano Coll, Marta
    Palabras clave: Santes creus Liber augustalis James ii Frederick of sicily Crown of aragon
    Resumen: This study analyses two of the great artistic projects that James II the Just (1291-1327) promoted at the Cistercian monastery of Santes Creus (Aiguamúrcia, Tarragona, Catalonia, Spain) and which still stand to this day; namely, the dynastic pantheon and the cloister, specifically the unusual south-western pillar adjacent to the Porta Reial (Royal Entrance). The study explains the extent to which both had an aesthetic, persuasive and communicative purpose that was intended to serve the royal rhetoric and how sacredness, lineage and the role of the sovereign as executor of divine providence were key concepts for understanding the totality of these eloquent visual devices. To do this, as I will show, it is essential to examine the influences of Frederick II of Sicily, in particular the legal code known as the Liber Augustalis.1
    Áreas temáticas: Medieval & renaissance studies Literature History Historia antigua y medieval Historia Ciencias sociales Ciencias humanas Art and art history
    Acceso a la licencia de uso: https://creativecommons.org/licenses/by/3.0/es/
    Direcció de correo del autor: marta.serrano@urv.cat
    Identificador del autor: 0000-0001-9077-1359
    Fecha de alta del registro: 2024-10-12
    Versión del articulo depositado: info:eu-repo/semantics/publishedVersion
    Enlace a la fuente original: https://repositori.udl.cat/items/0901c413-24da-4143-86f6-2a637d753e46
    URL Documento de licencia: https://repositori.urv.cat/ca/proteccio-de-dades/
    Referencia al articulo segun fuente origial: Imago Temporis - Medium Aevum. 16 (16): 241-265
    Referencia de l'ítem segons les normes APA: Coll, Marta serrano (2022). JAMES II AND HIS ARTISTIC PATRONAGE IN SANTES CREUS: PURPOSES, SEMANTIC CONTENT AND THE INFLUENCE OF FREDERICK II. Imago Temporis - Medium Aevum, 16(16), 241-265. DOI: 10.21001/itma.2022.16.08
    DOI del artículo: 10.21001/itma.2022.16.08
    Entidad: Universitat Rovira i Virgili
    Año de publicación de la revista: 2022
    Tipo de publicación: Journal Publications

  • Palabras clave:

    History,MEDIEVAL & RENAISSANCE STUDIES
    Santes creus
    Liber augustalis
    James ii
    Frederick of sicily
    Crown of aragon
    Medieval & renaissance studies
    Literature
    History
    Historia antigua y medieval
    Historia
    Ciencias sociales
    Ciencias humanas
    Art and art history

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