Tesis doctoralsDepartament d'Estudis de Comunicació

La representación de la dictadura militar en el cine documental argentino de segunda generación

  • Dades identificatives

    Identificador:  TDX:378
    Autors:  Quilez Esteve, Laia
    Resum:
    The social, cultural and financial consequences of the Proceso de Reorganización Nacional (1976-1983) still survive today in Argentina with all their strength. In the late nineties the Argentineans who were born shortly before the dictatorship began to reread that black chapter of their national history with all the possibilities that the cinematographic language provided them. Linked to the recent past of their country in a different way than their parents, these filmmakers, most of them sons or daughters of disappeared people, produced some films that have managed to bring a new voice in the fight for collective memory. This investigation analyses these films. Documentaries as (h) historias cotidianas (Andrés Habegger, 2000), Papá Iván (María Inés Roqué, 2000), El tiempo y la sangre (Alejandra Almirón, 2004 ), Encontrando a Víctor (Natalia Bruschtein, 2005), Los Rubios (Albertina Carri, 2003) or M (Nicolás Prividera, 2007) pretend to shape the past through a creative and postmodern language.
  • Altres:

    Editor: Universitat Rovira i Virgili
    Data: 2010-02-26
    Identificador: http://hdl.handle.net/10803/8596, http://www.tdx.cat/TDX-0908110-173617, 9788469340509, T.996-2010
    Departament/Institut: Departament d'Estudis de Comunicació, Universitat Rovira i Virgili.
    Idioma: spa
    Autor: Quilez Esteve, Laia
    Director: Cerdán Los Arcos, José Francisco
    Font: TDX (Tesis Doctorals en Xarxa)
    Format: application/pdf
  • Paraules clau:

    cinema documental
    dictadura militar
    testimoni
    posmemòria
    Argentina
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