La representación de la dictadura militar en el cine documental argentino de segunda generación

Identifier:  TDX:378

Handle: https://hdl.handle.net/20.500.11797/TDX378

Authors:  Quilez Esteve, Laia

Abstract:
The social, cultural and financial consequences of the Proceso de Reorganización Nacional (1976-1983) still survive today in Argentina with all their strength. In the late nineties the Argentineans who were born shortly before the dictatorship began to reread that black chapter of their national history with all the possibilities that the cinematographic language provided them. Linked to the recent past of their country in a different way than their parents, these filmmakers, most of them sons or daughters of disappeared people, produced some films that have managed to bring a new voice in the fight for collective memory. This investigation analyses these films. Documentaries as (h) historias cotidianas (Andrés Habegger, 2000), Papá Iván (María Inés Roqué, 2000), El tiempo y la sangre (Alejandra Almirón, 2004 ), Encontrando a Víctor (Natalia Bruschtein, 2005), Los Rubios (Albertina Carri, 2003) or M (Nicolás Prividera, 2007) pretend to shape the past through a creative and postmodern language.