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Dialogue with absence: The letter as a legacy of the traumatic past in the contemporary Spanish documentary

  • Datos identificativos

    Identificador: imarina:6185823
    Autores:
    Quílez LAraüna N
    Resumen:
    © 2019 Cineforum L'Atalante. All rights reserved. A recent trend in Spanish documentaries has been to recover the memory of a generation that is progressively disappearing. Notable among the filmmakers engaging in this practice, who in many cases were born since the Spanish transition to democracy, are those who use personal letters written by the victims of the Civil War and the Franco dictatorship as a narrative focus. These letters are represented as legacies recovered by the filmmakers to establish an impossible dialogue with their deceased authors, a dialogue that allows them to delve into the familial and/or collective memory of a period marked by totalitarian terror and violence. Through an analysis of the films Pepe el andaluz [Pepe the Andalusian] (Alejandro Alvarado and Concha Barquero, 2012), The Great Flight (El gran vuelo, Carolina Astudillo, 2014) and Cartas a María {Letters to Maria] (Maite García Ribot, 2015), this article explores the subjectivities created by these epistolary dialogues and how they can shed light on certain blind spots in Spanish history.
  • Otros:

    Autor según el artículo: Quílez L; Araüna N
    Departamento: Estudis de Comunicació
    Autor/es de la URV: Araüna Baro, Nuria
    Palabras clave: Spanish civil war Postmemory Familiar memory Epistolary genre Documentary film
    Resumen: © 2019 Cineforum L'Atalante. All rights reserved. A recent trend in Spanish documentaries has been to recover the memory of a generation that is progressively disappearing. Notable among the filmmakers engaging in this practice, who in many cases were born since the Spanish transition to democracy, are those who use personal letters written by the victims of the Civil War and the Franco dictatorship as a narrative focus. These letters are represented as legacies recovered by the filmmakers to establish an impossible dialogue with their deceased authors, a dialogue that allows them to delve into the familial and/or collective memory of a period marked by totalitarian terror and violence. Through an analysis of the films Pepe el andaluz [Pepe the Andalusian] (Alejandro Alvarado and Concha Barquero, 2012), The Great Flight (El gran vuelo, Carolina Astudillo, 2014) and Cartas a María {Letters to Maria] (Maite García Ribot, 2015), this article explores the subjectivities created by these epistolary dialogues and how they can shed light on certain blind spots in Spanish history.
    Áreas temáticas: Visual arts and performing arts Revistas de historia del arte y expresión artística Media studies and communication History Film, radio, television Film and theatre studies Cultural studies Comunicación Communication Ciencias sociales Ciencias humanas Bellas artes Arts and humanities (miscellaneous) Arts Arte
    ISSN: 18853730
    Direcció de correo del autor: nuria.arauna@urv.cat
    Identificador del autor: 0000-0002-1997-2833
    Fecha de alta del registro: 2023-07-31
    Versión del articulo depositado: info:eu-repo/semantics/publishedVersion
    Enlace a la fuente original: http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=707
    Referencia al articulo segun fuente origial: Atalante. (28): 209-222
    Referencia de l'ítem segons les normes APA: Quílez L; Araüna N (2019). Dialogue with absence: The letter as a legacy of the traumatic past in the contemporary Spanish documentary. Atalante, (28), 209-222
    URL Documento de licencia: https://repositori.urv.cat/ca/proteccio-de-dades/
    Entidad: Universitat Rovira i Virgili
    Año de publicación de la revista: 2019
    Tipo de publicación: Journal Publications
  • Palabras clave:

    Cultural Studies,FILM, RADIO, TELEVISION,History,Visual Arts and Performing Arts
    Spanish civil war
    Postmemory
    Familiar memory
    Epistolary genre
    Documentary film
    Visual arts and performing arts
    Revistas de historia del arte y expresión artística
    Media studies and communication
    History
    Film, radio, television
    Film and theatre studies
    Cultural studies
    Comunicación
    Communication
    Ciencias sociales
    Ciencias humanas
    Bellas artes
    Arts and humanities (miscellaneous)
    Arts
    Arte
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